Lyricists and vocalists and often considered to be the ‘real artists’ in contrast with the activities of the producers they work with. In an article published in the journal Critical Studies in Improvisation / Études critiques en improvisation, Leila Adu-Gilmore challenges this conception of the producer, arguing that their process amounts to music creation in the form of improvised composition. Today hear an intimate reading performed by me of Adu-Gilmore’s paper entitled “Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats.” The reading of the paper is intellectually stimulating, and the examples of the music discussed in it, by Appietus and DJ Breezy respectively, kinetically irresistible: I dare you not to dance!
This episode originally aired on CFRU 93.3FM, Guelph’s campus and community radio station on Tuesday January 17th, 2016, at 5pm.
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